Delicious in Dubai

I’m sitting in a dark and dramatic dining room at just-opened Kraken, one of Dubai’s hottest new restaurants, surrounded by black walls, cave-like textures, and a mirrored water-effect ceiling that gives the illusion of being under the sea. It’s the kind of place an actual kraken, that sea creature of Norse lore, might make its lair if it found itself transported to the Middle East. Dining here is an adventure from the moment restaurant manager Mohamed Gamal, dressed in a chic marine-style uniform, greets me and cheerfully announces he’ll be my captain for the night.  

The culinary action unfolds in a large open kitchen where fish skeletons hang next to a wood-fired grill. My dinner begins with shrimp chicharron crisps standing upright in a bed of dried black beans. They look like kelp rising from the ocean floor and are accompanied by labneh—dusted with loomi (dried lime powder)—for dipping. Next comes a yellowtail-tuna pizza served on a meringue base. It looks and sounds weird, like a fishy pavlova, and I hesitate before taking a bite. But the base has none of the cloying sweetness or stickiness I’d expected and instead presents a brilliant balance of rich and spicy flavours with crunchy and chewy textures. Strange, yes, but also strangely moreish. 

An oyster follows, served with grass-green jalapeño granita, tiny balls of pickled cucumber, little dollops of sour cream, and delicate fronds of fresh dill. It’s sweet, sour, and briny at the same time, an explosive combination that pleases and surprises the palate. But what’s most surprising of all is that everything in the dish has been sourced locally. The oyster is from Dibba Bay, a farm off the coast of Fujairah established a decade ago by a pioneering Scot who surmised that a nation famed for its pearl oysters should also be able to produce edible ones. He was right. Everything else in the dish is grown on farms around the United Arab Emirates. 

A few years ago, this would have been practically unthinkable. “We consider ourselves the most ‘locavore’ restaurant in Dubai,” says Grégoire Berger, chef and founder of Kraken. When he first arrived in Dubai in 2013, local sourcing was limited and inconsistent. “Today, fishermen, farmers, and producers have raised their standards tremendously,” he says. 

The fish at Kraken is locally sourced.
Ostrich tartare and caviar on sourdough at Kraken.

Before opening the restaurant, Berger and his team spent six months exploring the bounty of the land and sea across the United Arab Emirates. “Prior to this exploration, we wouldn’t have considered using UAE-caught fish. We now realize that the problem wasn’t the quality of the product, but the way it was treated,” he explains. The menu at Kraken features hamour, kingfish, tuna, and clams sourced from the waters around the emirates and neighbouring Oman, as well as local honey, dates, desert herbs, and vegetables. The Kraken team have set an ambitious future target of sourcing 99 percent of ingredients locally. “These products carry identity and place,” Berger says. 

As a desert nation, Dubai has long, hot summer months that are not typically conducive to farming. This was once a land of seminomadic tribes who led harsh lives and made do with limited local resources—dates, camel milk, meat from grazing herds—and items that came by sea via traders.  

Fast-forward just a few decades and the discovery of oil catapulted the emirate into the future, laying the foundation for the dazzling, international metropolis that rises today like a mirage from the sands. Since the beginning of the millennium, Dubai’s urban, cultural, and culinary evolutions have taken place at breakneck pace. But the high-end dining scene was, until fairly recently, largely limited to outposts of big-name restaurants with ingredients flown in from around the world. It was a safe formula that provided consistent quality and predictability, but it wasn’t going to set any taste buds ablaze with innovation or creativity that spoke to a sense of place. For a time, it felt as if every dish in town was smothered in gold leaf and truffle oil, Instagrammable clouds of dry ice floated around everything from sushi to cocktails, and tuna tartare, burrata salad, and chocolate fondant were staples on practically every menu. It’s a recipe that still works for some restaurants appealing to an audience in search of the blingy Dubai lifestyle, but the past decade has seen a complete transformation. 

The birth of a homegrown, modern Dubai style of cooking has perhaps been the most exciting thing to emerge. This is cuisine that’s reflective of the people who have chosen to make Dubai home, whether they were born here, raised here, or arrived later in life. It combines influences of the emirate’s multiculturality with elements brought from the places of origin and the frequent travels of this particularly peripatetic community.  

Aubergine Royale with beurre blanc, caviar, and walnuts at Three Bros.

When Syrian chef Mohamad Orfali opened Orfali Bros Bistro in 2021 with his brothers Wassim and Omar, it felt as if the Dubai dining scene was shifting. “From the very beginning, we wanted to redefine what a Middle Eastern restaurant could be,” he says. “We wanted to take our roots and blend them with Dubai influences, breaking the stereotypes of traditional restaurants that belong to big chains or franchises. The goal was to create dishes that reflect our personal experiences, emotions, and memories, all while staying true to the essence of quality and craftsmanship.” That philosophy translated into dishes like spicy bulgur-wheat salad with Aleppo chili paste and shiso leaves, and Wagyu striploin with sour cherry, pine nuts, and cinnamon. 

It was a recipe for success—a restaurant that was relying not on novelties or food trends to draw the crowds but instead on creating cuisine that came from the heart. It earned the Orfali brothers a Michelin star and the top spot on the Middle East and North Africa’s 50 Best Restaurants list, as well as tables booked up far in advance. 

Since then, they have opened Three Bros, a more casual spot where lunch and dinner feature a succession of bold dishes like thinly sliced ōtoro with tuna garum, olive oil, and finger lime, and a tiny in size but huge in flavour chawanmushi (egg custard) with morel, shaved black truffle, and crunchy hazelnut. The nonalcoholic cocktails are works of art. The limetta olio is unmissable, an unctuous blend of fermented white grapes and olive oil, resulting in a drink that’s part martini, part sour, and entirely delicious. And the playful take on the PB&J sandwich—a perfectly formed triangle of sponge cake, peanut butter, and raspberry jelly that matches the restaurant’s ruby-red walls—makes for a fittingly fun finish in a restaurant that doesn’t take itself too seriously. 

It’s not just Dubai’s restaurants that are homegrown. Across the emirate, an increasing number of spots are placing a focus on ingredients that are raised and sourced locally. In recent years, a combination of shifting trends, pioneering agricultural technology, experimentation, exploration, and sheer hard work by a passionate community of food lovers has made huge changes to the United Arab Emirates’ scene. Innovations such as water-saving vertical farming and A.I.-powered controlled-environment agriculture are extending the growing season beyond the more temperate winter months. Small-scale farms are producing niche ingredients like microgreens, edible flowers, and lion’s mane mushrooms. 

Chef Mohamad Orfali
Dark chocolate Karaz cake with chocolate mousse and sour cherry at Orfali Bros. Bistro

At Four Seasons Resort Dubai at Jumeirah Beach, a lush seaside oasis filled with palm trees and flowering plants, the use of locally sourced produce is rising. For Marcel Finsterer, chef de cuisine at Asian-inspired seafood restaurant Sea Fu, procuring ingredients within the UAE can be challenging, but it’s a pursuit he embraces. “You can find high-end ingredients here, but it’s very seasonal and requires strong relationships with the producers,” he says. “Some products are excellent at certain times of the year and then disappear, and that’s something I actually enjoy working around. It keeps the cooking honest and creative.” Finsterer personally visits each farm he works with—like Pure Harvest Smart Farms, based in the desert in the emirate of Al Ain and known for its exceptional tomatoes, and Mary Anne’s Fresh Produce, a grower of microgreens, herbs, and edible flowers located on the outskirts of Dubai—multiple times a year to understand their challenges and build relationships with the people behind the products, creating connections that he says change how he cooks. Among his favourite local ingredients are fragrant strawberries, mushrooms with a remarkable depth of flavour, and fresh herbs. On the sweet side, Nicolas Lambert, senior executive pastry chef, also sources locally, including honey, dates, citrus, camel milk, and figs grown in the northern emirate of Ras Al Khaimah. “Quality is excellent but highly seasonal, which I see as a strength rather than a limitation,” he says. 

Local ingredients are also a priority at the intimate and stylish Four Seasons Hotel Dubai International Financial Centre (DIFC) in the heart of the city’s main business and entertainment district, including at Penrose Lounge’s Earth Afternoon Tea. “We work with Blossom Honey UAE for our golden honey and select seasonal vegetables from the local market,” says the hotel’s executive chef, Rami Nasser, who also sources microgreens, edible flowers, camel milk, and butter within the country. And in a city crowded with Japanese-​fusion concepts, the hotel’s new restaurant KIGO stands out for its authenticity, ranking among the best kaiseki meals I’ve ever had. While fish and seafood are flown in from Japan, locally grown carrots find their way onto the menu because they’re sweeter than imported varieties. They’re not just chopped or diced here, though. The KIGO culinary team carves them into exquisitely detailed shapes of gingko, maple leaves, and cranes, subtly referencing the changing seasons.  

At neighbouring Boca, a Michelin green-starred restaurant also in DIFC, founder and chief sustainability officer Omar Shihab is researching an ingredient that he hopes may become a game changer. He’s working with Emirates Nature-WWF and the International Center for Biosaline Agriculture to explore the benefits and potential uses of salt-loving salicornia, a native halophyte packed with umami and a crunchy texture that grows naturally along the country’s coasts. Shihab sees it having the potential to become the UAE’s superfood. Commercial cultivation has yet to be developed, although there are pilot farms in the northern emirate of Umm Al Quwain. “We’re demonstrating all the benefits halophytes present from an environmental, conservational, and nutritional standpoint, but also from an economic and entrepreneurial sense,” he says. In the restaurant, Boca’s executive chef Patricia Roig adds salicornia tips to a punchy local kingfish ceviche and to a rich risotto blended with seaweed. 

Nicolas Lambert, senior executive pastry chef at Four Seasons Resort Dubai at Jumeirah Beach

This willingness to work with new products and flavours isn’t new to Dubai. This has long been a cosmopolitan place thanks to its strategic position on ancient trade routes that connected Arabia, Persia, Africa, and Asia. Today, more than 200 nationalities reside here, each bringing its own culinary culture with it. 

At 12-seater restaurant Moonrise, perched atop Eden House in the Satwa neighbourhood, Dubai-born chef Solemann Haddad creates tasting menus that draw on food from his childhood in the city along with culinary influences from his French mother and Syrian father. He calls it Dubai Cuisine, embodying that easy cosmopolitan mix of cultures that are at home here and that blend with, borrow from, and inspire one another. 

Indian cuisine has long had an influence on the food of Dubai, too. This is a city where the most casual hole-in-the-wall cafeterias sit alongside high-end establishments, where you can dine well on cheap and cheerful chaat, dosas, and thalis in small cafés in the Karama neighbourhood or exceptionally well at the world’s only three-Michelin-starred Indian restaurant, Trèsind Studio, on the Palm Jumeirah, where chef Himanshu Saini takes diners on explorations of creative and complex dishes served without the slightest hint of pretension.  

But there’s one cuisine that hasn’t featured prominently in Dubai’s restaurants up to now, and Emirati chef Sahar Parham Al Awadhi believes it’s time to change that. “Emirati cuisine has been living within people’s homes for a very long time,” she says. “It’s time to take it outside of that setting and present it in a new way, elevate it, add in techniques and ingredients that didn’t grow here before, and really take it to the next level.” Al Awadhi recently created a menu of desserts and pastries for Gerbou, a new restaurant spotlighting contemporary Emirati cuisine opened in the leafy green Nad Al Sheba neighbourhood, featuring modernized versions of much-loved local desserts such as rengina, a sweet, sticky pudding made from pitted dates, and aseeda, a blend of pumpkin, ghee, and spices. And now she’s getting ready to open her own restaurant, Abra, named after the little wooden boats that have connected the two sides of Dubai Creek for decades. Located within the Etihad Museum on the site where the United Arab Emirates was founded as a nation in 1971, the restaurant will present what Al Awadhi is calling New Emirati Cuisine, with a focus on local sourcing. 

For Al Awadhi, locality doesn’t only mean Emirati-owned businesses: “It’s homegrown, no matter who it is, because there’s a huge community of artists, farmers, and producers who are contributing to growing in the UAE. For us, that’s what New Emirati Cuisine means.” Her menus will aim to use around 80 percent locally sourced ingredients, adapting to seasonality, including chicken, eggs, lamb, and clotted cream.  

She will also be enhancing much-loved Emirati dishes with newer ingredients that complement traditional flavours, like lemongrass. “Emirates Bio Farm [an organic farm located an hour by car outside Dubai] has been growing lemongrass for the last couple of years. It’s not an indigenous ingredient, but since it grows here now, it’s become part of our local agriculture.”  

Abra’s beverage menu is also firmly rooted in Emirati heritage, taking inspiration from the traditional apothecaries, called attar, in the souqs around Dubai Creek where dried herbs and spices are sold in colourful heaps. “If you’re sick, you go to the attar, explain your problem, and they mix things up for you to make a tea,” Al Awadhi explains. “We’re basing our beverage program on these holistic remedies.” 

It’s a novel approach based in antiquity, a way of bringing lesser-known local traditions to the fore in a city that, at least on the surface, seems to be all about the future. Perhaps Dubai is now at an inflection point where it continues marching forward but is carrying its traditions, both cultural and culinary, along with it. “I was born and raised in Dubai, and one of the things that makes it so special is that it never stops growing,” says Al Awadhi. “It feels like we’re experiencing the formation of a city. Being able to be part of that is really special.”  

Palm Beach Confidential: Landscape Architect Fernando Wong Shares His City’s Gems

When Fernando Wong arrived in Miami in 2000 from his native Panama, he had just $400 to his name and a dream of becoming a famous designer. Today, Wong stands among the most acclaimed landscape designers in the industry, with a client list that includes actor Matt Damon and golfer Greg Norman. The designer and his husband, Tim Johnson (CEO of Fernando Wong Outdoor Living Design), make their home in South Florida’s Palm Beach, a place Wong calls “one of the most beautiful places on the planet—with white powdery sand beaches and a culture worthy of a city 10 times the size.”

Wong is also the designer of all the outdoor spaces at three Four Seasons properties, including Four Seasons Resort Palm Beach, which he describes as “a lush oasis of calm and beauty.” We asked him about his favourite places to dine, shop, and unwind in town.

Wong in the garden he designed for a client in Palm Beach. Photograph by Carmel Brantley / Brantley Photo.

Café Flora: “It’s tucked into one of the prettiest courtyards off Worth Avenue. The bougainvillea arches overhead, and you feel like you’ve been transported to Italy. I order the spaghetti pomodoro and a glass of cold white wine—it’s simple but perfectly done.”

On the menu at Hive: fresh design and house-made pastries.

Hive Bakery & Café: “This is where I meet friends for lunch when I want something fresh but casual. Their tuna burger is my favourite, and the key lime pie is the best in town. I love that the café is surrounded by beautiful fabrics and furniture; it’s like eating inside a design studio.”

A must-visit for design buffs: Meg Braff Designs. Photograph by Carmel Brantley / Brantley Photo.

Meg Braff Designs: “Meg’s shop is pure joy—lacquered bamboo chairs in bright orange, tropical wallpapers, rattan everything. When I walk in, I immediately start reimagining a room. It’s playful but smart design.”

Maus & Hoffman: “[This] is where I go when I need a crisp linen shirt or a new blazer. There’s a sense of tradition when you step inside—polished wood shelves, staff who know your name. They’ve been dressing Palm Beach for decades, and I like being part of that continuity.”

Stubbs & Wootton’s flagship store in Palm Beach.

Stubbs & Wootton: “My first pair of Stubbs & Wootton [footwear] was French blue and white espadrilles. I wore them everywhere, from dinners at Ta-boo to cocktail parties. Now I have several pairs, and I love giving them as gifts. It’s a Palm Beach rite of passage.”

SurfSide Diner: “The definition of unfussy. The waitresses call you ‘honey,’ the pancakes are bigger than the plate, and locals read the Palm Beach Daily News at the counter every morning. It’s one of those rare places where billionaires and beachgoers sit side by side.”

The lush exterior of Sant Ambroeus.

Sant Ambroeus: “[It] gleams with marble counters and polished wood. I like to sit at the banquette with a cappuccino and watch the morning crowd drift in—socialites in tennis whites, art dealers, even the occasional celebrity.” 

Worth Avenue Historic Walking Tours: “I lived on Worth Avenue when I first moved to Palm Beach, so I have a soft spot for it. The tours show you little secrets, like the courtyards Addison Mizner designed with tiled fountains and wrought iron balconies. My favourite detail is that Mizner once kept monkeys in his tower. That mix of glamour and eccentricity sums up Palm Beach perfectly.” 

Beachfront dining at Seaway.

Seaway at Four Seasons Resort Palm Beach: “I always start with a mojito—it just feels right by the ocean. At sunset, the Atlantic glows pink, and it’s the perfect place to sit and feel the breez

Four Seasons Hotel Nashville Mimo

Mix It Up: Where to Go for a Taste of Kuala Lumpur’s Rich Culture

For seven consecutive years, the Art Deco–style Bar Trigona at Four Seasons Hotel Kuala Lumpur has earned recognition as one of Asia’s 50 Best Bars. Under the creative direction of head bartender Rohan Matmary, who also serves as the hotel’s beverage manager, the bar distinguishes itself not only for its unforgettable cocktails, but also for a deep commitment to local ingredients and sustainability. Through its Tree-Volution initiative, the property supports tree planting in Malaysia, including at Trigona Farm, which grows produce exclusively for Bar Trigona. 

Originally from Mumbai, India, Matmary brings both innovation and heart to his work, along with a love of Malaysia’s capital city. “Kuala Lumpur has a sense of community,” he says. “There is a unique joy and unity in the way people of different origins come together to celebrate the country’s rich heritage.” 

Below, he shares his favourite go-to spots in Kuala Lumpur.

Rohan Matmary, Kuala Lumpur
Matmary at Bar Trigona

Neighbour Club by JWC: “This is one of my favourite coffee spots. What sets them apart is the way they approach coffee with the kind of precision you would expect in a cocktail bar, yet they make it accessible to everyone. I also admire that they highlight locally sourced Malaysian coffee, which is still relatively rare to find in cafés across the city.” 

Bar Trigona
Bar Trigona at Four Seasons Hotel Kuala Lumpur

Bar Trigona: “One of the initiatives I am most proud of is Bar Trigona’s Single Origin section on the cocktail menu. Each drink in this series celebrates a single ingredient harvested at Trigona Farm, using every part of the plant. A recent standout is Banana, built entirely around the Pisang Mas tree. We vacuum cook the fruit with Tuak, a traditional Malaysian rice wine, to create a light yet complex serve that has quickly become a symbol of Bar Trigona’s new identity: cocktails that are conscious, creative, and deeply connected.” 

Penrose
The Penrose team

Penrose: “Among my favourite [bars] is Penrose, where the hospitality is consistently warm and the cocktails are crafted to an international standard.” (Matmary notes that he also enjoys Three x Co and Cabinet 8, “both of which bring a refined touch to mixology,” and “for a distinctly Malaysian perspective,” he says, “I often turn to Coley and Reka.”) 

Ruma“I find inspiration in Ruma, a Malaysian brand that draws on Scandinavian minimalism. Their designs are simple yet sophisticated.” 

Batu Caves
The 140-foot-tall Murugan statue at Batu Caves. Photograph by Ravin Rau / Unsplash.

Batu Caves: “I enjoy starting my mornings here. Arriving early, when the air is cool and filled with the aroma of morning dew and temple rituals, creates a serene atmosphere. The 272-step climb feels both invigorating and rewarding, offering a perspective of the city that is hard to match.” 

Chinatown, Kuala Lumpur
Thean Hou Temple in Chinatown

Chinatown: “One of my favourite experiences [offered by Four Seasons Hotel Kuala Lumpur] is Evenings in Chinatown, which brings together the energy of a hip neighbourhood with the rich food-and-beverage culture that makes Kuala Lumpur so unique.” 

Dewakan
A signature snack (with chayote paste and wild mango) inspired by Rajah Brooke’s Birdwing, the national butterfly of Malaysia, at Dewakan

Dewakan: “This is [among] my most recommended dining experiences in Kuala Lumpur. The tasting menus celebrate local harvests with creativity and finesse, using indigenous ingredients in thoughtful, seasonal expressions. The setting on the 48th floor, with sweeping city views, makes it an experience that feels both rooted in Malaysia and elevated to a global stage.” 

Nadodi: “The restaurant resonates with me on a cultural level, as it reimagines the flavours of South India in an avant-garde style. It delivers refined, region-inspired curations that feel both personal and innovative. Overlooking the [Petronas] Twin Towers, it creates an intimate setting that beautifully balances heritage with modernity.”  

Kuala Lumpur FS
Kuala Lumpur FS

Zero Proof, Full Flavour

Whether driven by wellness culture, conscious living, or sheer sober curiosity, the nonalcoholic movement is having a global moment—and top chefs and mixologists are shaking, stirring, and fermenting to meet the demand. What was once an afterthought has developed into an art form, where spirit-free cocktails rival their boozy counterparts in complexity, craft, and storytelling. 

Even celebrity tastemakers are getting involved. Formula One champion Lewis Hamilton’s Almave nonalcoholic spirits brand recently released Almave Humo, a distilled “mezcal” that delivers the depth and complexity of the real thing. 

At New York City’s Clemente Bar, located above Eleven Madison Park, nonalcoholic drinks complement such savoury, plant-based small bites as agedashi tofu paired with a fizzy concoction of yaupon tea, yuzu, and cucumber soda. 

Clemente Bar/Evan Sung
A highball-style NA cocktail coupled with an agedashi tofu hand roll at Clemente Bar. Photograph by Evan Sung.

In Wyoming, at Four Seasons Resort and Residences Jackson Hole, Jhett Brown brings mountain sophistication to the zero-proof scene. Inside the 80 Proof speakeasy and the newly opened Steadfire Chophouse, the bartender’s modern mixology creations avoid added sugar while highlighting flavour-forward local ingredients like pine and wild berries. 

Leo—one of Latin America’s most acclaimed restaurants, in Bogotá, Colombia—pairs its tasting menu with “botanical infusions” derived from the country’s ecosystems: guava fermentations, cassava starch elixirs, and floral macerations that taste like a journey through the jungle. 

Four Seasons Hotel Riyadh at Kingdom Centre recently doubled down on nonalcoholic wine. The hotel has opened both Tonic Bar, Saudi Arabia’s first nonalcoholic bar, and Café Boulud Cheese Library, which offers an enticing selection of fromage and beverages like the Italian zero-alcohol sparkler Bella. 

FS Riyadh, Zero Proof Cocktail
The Naughty Amaretti—with Amaretti-infused white sesame, tangerine, apricot, and saffron—at Tonic Bar at Four Seasons Hotel Riyadh at Kingdom Centre.   

And at Four Seasons Resort Tamarindo, México, head mixologist Arturo Barroso celebrates Mexico’s heritage and traditions through fermentation. He reimagines tepache and tejuino—time-honoured beverages made from local fruits, herbs, and corn—as elegant, alcohol-free expressions. Halting fermentation at just the right moment, Barroso preserves flavour and texture. 

The Cantonese Connection

It was the first day of our Cantonese food adventures, and my Hong Kong Chinese friends had arranged a lunch in the Nan Yuan (“South Garden” in English), one of the grand old restaurants of Guangzhou, China. We wandered through the colonnaded gardens and halls resplendent in stained glass of many colours to our private dining room, where the feast began beneath a glittering chandelier. 

The menu was like a roll call of classic Cantonese cooking. We began with a warming soup brewed from pork stomach and kudzu root (an ingredient in traditional Chinese medicine) that was satiny on the tongue, before the waiter brought in a whole roast goose that had been chopped and then reassembled on the plate, its tender flesh crowned with dark amber skin that was meltingly crisp. Soon, there was sticky, wobbly fish maw, one of the dried seafood delicacies so adored in this region; a whole steamed grouper with glistening flesh; chicken and abalone stewed in a clay pot; stir-fried greens; and, to finish, sticky rice balls stuffed with bird’s nest (a delicacy made from the saliva of swiftlets) in a red bean soup that just murmured of sweetness. 

Lung King Heen at Four Seasons Hong Kong
A feast at Lung King Heen at Four Seasons Hotel Hong Kong.
Lung King Heen at Four Seasons Hong Kong
Chef Chan Yan Tak’s Lung King Heen was the first-ever Chinese restaurant in the world to garner three Michelin stars.

Cantonese is one of the world’s most familiar cuisines, yet also one of its least understood. It was the Chinese food first encountered by foreigners in modern times, in the trading enclaves of Macau and Canton (now Guangzhou). It was here, in Guangzhou, that chefs are said to have invented—to suit the tastes of visiting foreigners—the boneless sweet-and-sour pork dish that would become a staple of international Chinese menus. Later, emigrants from the Cantonese-​speaking south of China would voyage to America to work the mines and build the railroads, carrying with them the flavours of their homeland.  

Cantonese immigrants opened restaurants across America and in many other countries and invented what much of the world would come to know as Chinese food. It was a formula rooted in Cantonese tradition but heavily adapted to Western palates: tasty, inexpensive, and devoid of awkward bones and wobbly textures. Instead of steamed fish, vibrant vegetables, and gentle soups, there were fried noodles and boneless meats. This hybrid cuisine was to become wildly popular but also the victim of its own success. Outside of China, Chinese cooking, so diverse and complex, was rarely considered to be sophisticated. Instead, it was branded as cheap, lowbrow, and unhealthy.  

It’s one of the great ironies of history that China’s great gastronomic culture, along with one of its most esteemed regional traditions, should be so underestimated. Within China, Cantonese is regarded as one of the country’s Four Great Cuisines, along with those of Sichuan, Shandong, and the Jiangnan region around Shanghai. Although you wouldn’t guess it from the deep-fried tidbits and sweet-sour flavours that characterize Chinese food abroad, Cantonese cooks are renowned for their insistence on fresh ingredients, their light touch with seasonings, and their precise command of heat and timing.  

Yu Yue Heen at Four Seasons Guangzhou
Artful delicacies at Yu Yue Heen at Four Seasons Hotel Guangzhou.

“Cantonese food is all about the essential tastes of ingredients,” says chef Yongsheng Li of the Michelin-starred Yu Yue Heen restaurant at Four Seasons Hotel Guangzhou. “With a fine steamed fish, we might season it with nothing but oil and salt because we don’t want to cover up its natural flavour. And we insist on eating foods in their proper seasons: lamb in winter, for example, toon shoots [from the Chinese mahogany tree] and other sprouting vegetables in spring.” Soups, made with ingredients designed to maintain health in every season, have a particularly important role in local meals. 

One of the most representative local dishes, says Li, is white cut chicken. “The key to this dish is to choose the right breed and age of chicken and cook it within hours of slaughter,” he says. Like many Cantonese dishes, it appears plain but is technically complex: the bird must be poached at a carefully controlled temperature, like an artisanal sous vide, resulting in taut skin and flesh that is brisk but juicy, with a little pinkness in the bones.  

The flavours of Cantonese cuisine are more discreet than, say, the fire and spice of Sichuan. Ginger, spring onions, and aged tangerine peel are favoured seasonings, along with soy sauce and black fermented soybeans. Certain cooking methods and culinary creations are regarded as quintessentially Cantonese: the delicate steaming of seafood; fastidious roasting techniques that give pork and poultry tempting aromas and crisp textures; translucent shrimp dumplings and a whole gamut of delicate dim sum. There are flash stir-fries imbued with wok hei (“the breath of the wok”); nourishing desserts that often take the form of soups; and hearty claypot dishes. Cantonese eaters take particular delight in the textures of their foods, which is why they enjoy so many ingredients that can perplex foreigners, like slippery-crunchy jellyfish.  

The Chairman
The Chairman chefs, including Danny Yip, at center.
The Chairman
Sticky rice pairing steamed crab with tiny pink shrimp at the Chairman.

Cantonese food itself is diverse and wide-ranging. In Guangzhou, you could spend days exploring dim sum alone, popping into a tiny café that serves fresh cheung fun (noodle rolls made with steamed sheets of rice pasta) or brunching on dozens of dumplings in the gorgeous Tao Tao Ju restaurant in the heart of the old town. You might lap up some turtle broth from a blue-and-white china pot at Dayang, a hole-in-the-wall conspicuous for its towers of steamers, each layer filled with pots of a different kind of soup. At the other end of the social scale, you could spend a fortune on abalone and other prized delicacies. (And if you’d like a taste of the origins of Westernized Chinese food, you could go to the Guangzhou Restaurant for what they call their “nostalgic” sweet-and-sour pork with chunks of pineapple.)  

Any local gourmet can tell you that Cantonese isn’t even a single cuisine. It encompasses not just the rich gastronomic traditions of Guangzhou, the provincial capital, but also the distinctive foods of Shunde, known for its unusual dairy foods made from buffalo milk, and of the Chiu Chow region in the east, with its extravagant seafood, hearty peasant stews, and desserts such as sweet, lardy taro porridge. Another element is the rustic tradition of the Hakka people, whose classic dishes include stuffed tofu and pork belly steamed with salty vegetable preserves. And in Hong Kong, with its wealth and cosmopolitanism, Cantonese food mixes with the flavours of the world.   

For many years, Chinese food of any kind was neglected by the international arbiters of taste. Until the end of the 20th century, China itself was largely off the international travel map, and most Chinese restaurants abroad were of the cheap-and-cheerful variety. 

“Foreigners misunderstand Cantonese cuisine because they only encounter the basic stuff and never have the chance to taste more elevated versions,” says veteran Hong Kong food writer and restaurateur Lau Kin-wai. “Most Chinese restaurants abroad just serve Chinese food as it exists in foreigners’ imaginations.” 

Zi Yat Heen at Four Seasons Macao
The appetizer plate at Michelin-starred Zi Yat Heen at Four Seasons Hotel Macao. “We imagine Cantonese classics with finesse, accenting them with global luxuries,” says Chef Anthony Ho.

Over the last couple of decades, the outside world has begun to wake up to the possibilities of Chinese food. Increased travel and emigration by people from many parts of China (not just from the Cantonese south) have spurred the development of a more authentic Chinese dining scene in Western cities. Sichuan cuisine has exploded in global popularity, shattering the idea of Chinese as a monolithic food culture, while the flavours of northern Xi’an, spicy Hunan, and the Shanghai region have also begun to attract attention. And China’s rise in wealth and power on the international stage is inevitably starting to raise the status of Chinese food and culture more generally.  

In 2009, Michelin for the first time awarded three stars to a Chinese restaurant, Lung King Heen at Four Seasons Hotel Hong Kong, which was then, as now, under the stewardship of veteran chef Chan Yan Tak. It was a belated acknowledgment that Chinese food could be both fine and expensive, and a seismic moment for a restaurant specializing in classic Cantonese cuisine. “I was taken aback, but also honoured by the recognition,” says Tak. The restaurant’s specialities include Superior Pottage, a rich, nutritious soup that distills the flavour essences of lean pork, Yunnan ham, and fine local chickens. This local delicacy is light-years away from the kind of food served in American Chinese diners.  

The same year, 2009, another Cantonese restaurant, the Chairman, opened in a quiet backstreet in Hong Kong and began to make waves. While living in Australia, its owner, Danny Yip, had been infuriated with the lowly reputation of Chinese food. After returning to his native Hong Kong, he decided to take a fresh look at traditional Cantonese food and produce “a fine version of home cooking.” He and his team applied themselves to reinventing humble dishes, like congee and claypot rice, using premium ingredients and spending months developing individual recipes, such as their now-classic steamed flowery crab with Shaoxing wine. In 2021, the Chairman was the first Chinese restaurant to top the annual list of Asia’s 50 Best Restaurants. 

The spotlight brought by these international accolades has opened the door to greater global recognition of Chinese cuisine. It has also helped to give other Cantonese chefs the confidence to take a fresh look at their traditions. After all, Cantonese food is in many ways perfectly suited to contemporary tastes and trends, with its emphasis on lightness and balance and its attention to fine, seasonal ingredients. 

One chef who is helping to reshape perceptions of Chinese food is Vicky Cheng. Although Hong Kong born, he grew up in Canada, where his ambition was to become a famous French-trained chef because, he says, “I always believed French cuisine was the epitome of fine dining.” After years spent working in French kitchens, he realized, he says, that there was an essential contradiction in his life, because “I was craving Asian food every day.” So, he returned to Hong Kong for exposure to Asian flavours. His first restaurant, VEA, presented a fusion of his French and Chinese influences, and then in 2021, he opened Wing, a new kind of Chinese restaurant. 

“In the beginning, I knew nothing about Cantonese food because all my training had been French,” he says. He applied himself to studying the local culinary arts through a process of trial and error: in particular, he wanted to master dried seafood delicacies, such as sea cucumber and fish maw. “I knew I would combine French technique with local ingredients and felt that if I was going to tackle a fine dining approach, I needed to conquer these important delicacies, the Chinese equivalents of French caviar and truffles.” Now, he says, he cooks in a “boundaryless” way, without the baggage of traditional rules.  

Affluent Hong Kong Cantonese may be the world’s most discerning diners, well versed in both Chinese and international cuisines, and Cheng’s novel approach faced a certain amount of initial skepticism. A few years in, he has converted many of his critics, while his eclectic cooking seems perfectly suited to a culinary region that has long been China’s window onto the world. In 2025, Wing is in third position on the Asia’s 50 Best list.  

“We are just so happy that we are now on the international map, bringing the attention of the international crowd to Chinese food,” says Cheng. “And I hope this recognition on the world stage is just the beginning, not just for myself but for Chinese cuisine.”