The Philadelphia Story

Three illuminated tickers span the lofty ceiling at Vernick Coffee Bar. Given that this lovely café resides at Four Seasons Hotel Philadelphia at Comcast Center and is inside the 60-floor skyscraper that (along with the 58-story tower next door) houses the headquarters of the media and entertainment company, you might assume the scrolls run stock quotes or breaking news or at least a requisite “Go Birds!” Instead, travelling overhead during a recent lunch were quotes and affirmations of questionable wisdom like, “A Relaxed Man Is Not Necessarily a Better Man.” The artist Jenny Holzer penned that pearl. But perhaps she never had the pleasure of Vernick Coffee’s craggy scone cloaked in lemon icing on a lazy weekday afternoon. 

I’d stopped by after touring the nearby Calder Gardens, a new indoor-​outdoor museum that has more than 20 metal sculptures and delicate mobiles from the third-generation Philadelphia-born sculptor Alexander “Sandy” Calder (1898–1976). He’s artistic royalty in Philly: His grandfather, Alexander Milne Calder, created the William Penn statue that tops City Hall, and his father, Alexander Stirling Calder, worked on the grand Swann Memorial Fountain where generations of kids have splashed among the work’s bronze turtles and frogs. The Calder Gardens, designed by Herzog & de Meuron and Piet Oudolf, and the elder Calders’ works are all located less than a mile from each other, dotted along the Benjamin Franklin Parkway. Modelled after Paris’s Champs-Élysées, the Parkway is Philly’s cultural powerhouse, holding the most Rodins in the United States at the Rodin Museum and the most Renoirs and Cézannes in the world at the Barnes Foundation, both a short walk from Four Seasons Hotel Philadelphia at Comcast Center. 

At the Calder Gardens, the collection of works is similarly impressive, as is the architecture. Celestial light wells and papercut-slit windows, set in an undulating landscape, pour sun into an underground den, hollowed out from disused parkland and clad in crusty rock, smooth concrete, and blonde hemlock. 

Vernick at Four Seasons Philadelphia
Vernick Fish at Four Seasons Hotel Philadelphia at Comcast Center
Calder Gardens
Calder Gardens, the new indoor-​outdoor museum in Philadelphia. Photograph by Iwan Baan. Artwork by Alexander Calder © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York.

At times narrow and shadowy, then grand and bright, it reminded me of a cenote you walk instead of swim through. The design is a revolution—fitting for Calder, fitting for a city that was the political heart of one of the world’s most famous revolutions. The 250th anniversary this year marks the signing in Philadelphia of the Declaration of Independence and the country’s symbolic birthday. 

Founded in 1682, Philly has been getting ready for 2026’s anniversary celebration for two years, spending tens of millions of dollars to refresh historic sites like Independence Hall (where the U.S. Constitution was signed in 1787), the Liberty Bell, and Franklin Square, named for Benjamin Franklin, who performed his kite-and-key experiment in 1752. Along with the debut of the Calder Gardens, new galleries have opened at the Museum of the American Revolution and the National Constitution Center. And—cue the Hamilton soundtrack—the long-shuttered First Bank, housed in a dramatic Greek Revival building with a glass-domed rotunda, is reopening a museum dedicated to the early American economy. Four Seasons Hotel Philadelphia at Comcast Center, a peaceful refuge whose glass elevators and wraparound windows make you feel like you’re floating among the clouds, has been getting ready for the 250th, too. Eight luxurious residential-style accommodations compose the airy new Sky Garden floor, furnished with its own wellness salon and Calder-inspired artworks, and the expansive alfresco decks of the Sky Terrace Suite and the Sky Terrace Penthouse (both part of Four Seasons Villa & Residence Rentals Collection) are unrivalled in Philly.  

Four Seasons Philadelphia
The new Sky Terrace Penthouse at Four Seasons Hotel Philadelphia at Comcast Center is part of the global Four Seasons Villa & Residence Rentals Collection. 

Meanwhile, south of the city, Longwood Gardens, which Pierre S. du Pont founded in 1907, is fresh off a $250 million renovation of its 1,100-plus acres. The new West Conservatory, with its espaliered exotic citrus and bonsai collection, is one reason to make the roughly 40-minute drive. The 1906 restaurant—with its suave horseshoe booths overlooking the Fountain Garden and a menu featuring dishes like agnolotti with Maryland crab—is a reason to stay for dinner. The food is as good as anywhere in the city, and there is so much good right now in the city, restaurant-wise, even a local like me has trouble keeping up. 

“Philly is changing and growing fast, so it keeps pushing me,” says chef Greg Vernick (of the eponymous café). When the James Beard Foundation named him the Mid-Atlantic region’s best chef in 2017, tempting expansion offers followed. “They teach you a lot about what kind of chef you want to be and what direction makes the most sense for you, your family, and your team.” Instead, he opened two dining spots, the café and Vernick Fish at Four Seasons Hotel Philadelphia at Comcast Center, along with a nearby wine shop next to his flagship, Vernick Food & Drink, near Rittenhouse Square. Earlier this year, he added an Italian restaurant, Emilia, across town. In Philly, he says, “you feel lucky to be part of a strong community.” 

Longwood Gardens
Tropical succulents and palms grow in the new West Conservatory at Longwood Gardens. Photograph by Holden Barnes for Longwood Gardens.
Char in Philadelphia
The All-American Cheese Pie at Char in Philadelphia’s Olde Kensington neighbourhood. Photograph by K.C. Tinari.

For a long time, that community was all Philadelphians had. Overshadowed by major centres of finance (New York) and power (Washington, D.C.), we had to be our own fans. The “No one likes us—we don’t care” mentality, adopted and voiced by the beloved former Eagles centre Jason Kelce, resonated after the underdog football team won the Super Bowl in 2018. Eight years (and another Super Bowl ring) later, the us-against-the-world battle cry is a little less potent. The world is with us now. Philadelphia will host six matches for the FIFA World Cup this summer, culminating in a knockout on Independence Day. Michelin, which just added Philly to its Northeast Cities Guide, pinned stars on three restaurants and Bib Gourmands on 10 others, including two excellent new-school cheesesteak joints, Angelo’s and Del Rossi’s

Our chefs take risks and bet on themselves. Viraj Thomas, the city’s it-boy pizzaiolo, opened his own shop, Char, in Olde Kensington, at just 21 years old. Catch him shuffling transcendent, leopard-spotted pies into and out of his wood-burning oven, sporting the big smile illustrative of his scrappy-go-lucky charisma. About a mile away, on North Broad Street, Omar Tate and Cybille St. Aude-Tate run Honeysuckle, one of the most ambitious and significant culinary projects in the country. Each profoundly delicious plate—Mississippi Delta tamales with Wagyu beef cheek; a subversively extravagant take on a Happy Meal starring a burger piled with truffles, caviar, and gold leaf—tells a story about Black foodways, in a gallery-like space on the city’s historic Black commercial corridor. 

Calder Gardens in Philadelphia
Alexander Calder’s 3 Segments (top left) and Jerusalem Stabile II are on view at the new Calder Gardens. Photograph by Tom Powell; artwork by Alexander Calder ©2025 Calder Foundation, New York / Artists Rights Society (ARS), New York.

In South Philly, on East Passyunk Avenue—long a cornerstone of Philadelphia’s Italian-American community—that heritage persists in businesses like Mancuso’s deli and Palizzi Social Club, the century-old hangout whose off-menu chicken cutlet directly inspired a Southeast Asian analogue at Phila and Rachel Lorn’s new Passyunk hot spot, Sao. Anchored by a raw bar where oysters get anointed with kinetic Kampot black-pepper sauce and crudos shimmer with makrut lime, ginger, and chiles, Sao is ostensibly a seafood restaurant, but “the [chicken] cutlet is the one-at-every-table dish,” says Phila, winner of the James Beard Foundation’s Emerging Chef award last year. Crispy, brown, and craggy, it stretches past the edges of its plate, like the foundation of any number of neighbourhood parms, but instead of marinara and mozzarella, Lorn “graffitis” the cutlet with sticky fish-sauce caramel, adds salt pickles and Thai basil, then buries the whole thing in grated Parmigiano. The remix is as outrageous as it sounds. 

A few blocks up from Sao, a candy-cane-striped awning marks Red Gravy Goods, the newest in chef Marcie Turney and Valerie Safran’s collection of restaurants and boutiques. Their first in South Philly, it reps the neighbourhood hard with Jalen Hurts sweatshirts and diner-style mugs asserting “South Philly is always a Good Idea.” Says Turney from behind the shop’s custom-hat-patch bar, “We love the old-school nostalgia. People here are proud of where they live.” 

After she pressed soft-pretzel and water-ice patches—representing the essential summer duo—onto a ballcap for me, I popped it on my head and continued along East Passyunk to its terminus in leafy Society Hill. Despite swaths of the neighbourhood being razed by city planner Edmund Bacon (actor Kevin’s father) during 1950s and ’60s urban renewal, it remains one of the most historically significant areas in town. Paved in bumpy cobblestones and lined with red-brick row houses whose sidewalks have cast-iron boot scrapers and hitching posts from the horse-and-carriage days, its sites include Head House Square, home to the long-running Sunday farmers market, the Hill-Physick House, and churches from the 1700s. Gloria Dei (Olde Swedes’) Church, in adjacent Queen Village, is even older, built in 1698 by the Swedish settlers who predated William Penn. 

These streets are where the Revolution fomented, in meetinghouses like A Man Full of Trouble, the only remaining pre–Revolutionary War tavern in the city. “At the time, everybody was under the thumb of a king,” the 25-seat tavern’s owner, Dan Wheeler, tells me over a twangy, wild-fermented ale. “We did this incredible thing, and it lit the match for democracy everywhere. The audacity, right?” 

The semiretired attorney is referring to the colonists, but the word also applies to him. When he saw A Man Full of Trouble, closed to the public since 1996, go up for sale, he thought, You can’t buy that. He figured it was owned by the National Park Service. It was actually owned by the University of Pennsylvania, which was using the circa-1759 building as off-site student housing. “I bought it right away,” he says. The downstairs bar is run by Succession Fermentory (a brewery in Chester County) and furnished with colonial chairs, mustard wainscoting, and a tiled hearth. Upstairs is Wheeler’s baby, the best secret museum on American history in Philadelphia. He points out a cannon from the Siege of Yorktown and the first British-printed edition of Thomas Paine’s Common Sense. The gaps in the pamphlet’s type are redacted criticisms of King George III. In their spaces, the original owner of the pamphlet defiantly filled the charges back in by hand. 

Wheeler self-deprecatingly refers to his collection as “the finest museum you can buy on eBay,” but one item, acquired by auction at Sotheby’s, has his downright reverence: a stack of yellowed papers with time-eaten edges but surprisingly clear ink. “This is the oldest copy of the Constitution you’ve ever seen in your life, printed three days after it was passed,” Wheeler says. “Only a handful of these [exist].” 

In 1776, Philly changed the world. The audacity. Wheeler’s words echoed in my head at Vernick Coffee. I ate my scone and drank my latte, and another quote scrolled overhead: “A Solid Home Base Builds a Sense of Self.” That might not play elsewhere, in cities where home represents an anchor. For Philly’s modern revolutionaries, it’s a springboard.

An Architect’s Guide to Prague

“What unites our projects isn’t a visual style, but rather an open and speculative design process,” says Krištof Hanzlík, one of the founders of Coll Coll (short for “collaborative collective”), based in Prague. Known for embracing technological innovation (the firm built one of the city’s first keyless, light-switch-free smart homes in 2020), Coll Coll recently renovated Planetárium Praha, which boasts the world’s biggest LED astronomical dome display.

Hanzlík, one of the founders of the Prague-based firm Coll Coll. Photograph by Kristina Hrabetova.

Here, Hanzlík shares his beloved spots in Prague, a city he cherishes because “it still has this raw, unpolished edge—a vibe that encourages you to experiment and create.” 

Eat

Four Seasons Praguue Miru
Black cod at MIRU

MIRU: “At Four Seasons Hotel Prague, it’s definitely MIRU, the Japanese summer pop-up restaurant on the roof. Events like this add so much colour to life [here].” 

Zdenek’s Oyster Bar: “They serve five kinds of fresh oysters, which is pretty remarkable for a landlocked country.” 

Malostranská Beseda: “A traditional place with great beer. We designed it, so it feels like our second kitchen; it’s a lifesaver when we don’t have time to cook.” 

Food is served with a view at Kuchyň

Kuchyň: “Located right in front of the main gate of Prague Castle, it serves Czech food with a contemporary twist and has the second-best view of Prague. Of course, the best [view] is from my own garden.” 

Tåst: “A hidden fine-dining gem in Malá Strana [neighbourhood]. It’s not a show-off place, but pure pleasure.” 

Kro: “This bistro offers a global take on local cuisine. Imagine pork knee with hoisin sauce and coleslaw.” 

The industrial-chic interior of Eska. Photograph by Archive of Ambiente.

Bakeries: “Bread—oh, we love bread! Over the past few years, so many incredible bakeries have popped up, [including] Icelandic baker Artic Bakehouse; Eska, especially their [rye, wheat, and potato] Bread 33; and Chleba & Máslo—in my opinion, the best rohlík [bread roll] in town.”

Roam

A private boat tour of the Vltava with Four Seasons Hotel Prague is a great way to sightsee.

Štvanice Island: “Take a stroll over the HolKa Bridge, a brand-new pedestrian bridge connecting Holešovice and Karlín. Make a digression to Štvanice Island, where you’ll find tennis courts, a skateboarding center, and Baden-Baden Štvanice—a fantastic outdoor spot for summer chilling.” 

Browse

Bookstores: “Since my wife is a publisher, we hoard books! Our go-to spots are KavkaArtMap, and Meander for unique children’s books.” 

See

Planetárium Praha’s LED dome, designed by Coll Coll. Photograph by Boys Play Nice.

Planetárium Praha: “Our newest project features a first-of-its-kind, 40-million LED dome and is part of a growing network of cutting-edge cultural spaces in Prague. Alongside newly opened venues like [digital art gallery] Signal Space, as well as the recently renovated Nová Spirála theatre, these spaces form a fabric of top-tier digital and visual infrastructure. This brings all sorts of magic to town.” 

Villa Bílek: “The studio-home of sculptor František Bílek from the early 20th century. It’s one of the most extraordinary houses I’ve ever seen.” 

The New Stage of the National Theatre

New Stage of the National Theatre: “Famous for its striking Cuban [serpentinite] interiors and the monumental glass façade designed by Brychtová and Libenský.” 

Strahov Library: “It’s less pompous and crowded than the Klementinum library but equally breathtaking.”  

Four Seasons Hotel Prague, Room
Four Seasons Hotel Prague, Room

Delicious in Dubai

I’m sitting in a dark and dramatic dining room at just-opened Kraken, one of Dubai’s hottest new restaurants, surrounded by black walls, cave-like textures, and a mirrored water-effect ceiling that gives the illusion of being under the sea. It’s the kind of place an actual kraken, that sea creature of Norse lore, might make its lair if it found itself transported to the Middle East. Dining here is an adventure from the moment restaurant manager Mohamed Gamal, dressed in a chic marine-style uniform, greets me and cheerfully announces he’ll be my captain for the night.  

The culinary action unfolds in a large open kitchen where fish skeletons hang next to a wood-fired grill. My dinner begins with shrimp chicharron crisps standing upright in a bed of dried black beans. They look like kelp rising from the ocean floor and are accompanied by labneh—dusted with loomi (dried lime powder)—for dipping. Next comes a yellowtail-tuna pizza served on a meringue base. It looks and sounds weird, like a fishy pavlova, and I hesitate before taking a bite. But the base has none of the cloying sweetness or stickiness I’d expected and instead presents a brilliant balance of rich and spicy flavours with crunchy and chewy textures. Strange, yes, but also strangely moreish. 

An oyster follows, served with grass-green jalapeño granita, tiny balls of pickled cucumber, little dollops of sour cream, and delicate fronds of fresh dill. It’s sweet, sour, and briny at the same time, an explosive combination that pleases and surprises the palate. But what’s most surprising of all is that everything in the dish has been sourced locally. The oyster is from Dibba Bay, a farm off the coast of Fujairah established a decade ago by a pioneering Scot who surmised that a nation famed for its pearl oysters should also be able to produce edible ones. He was right. Everything else in the dish is grown on farms around the United Arab Emirates. 

A few years ago, this would have been practically unthinkable. “We consider ourselves the most ‘locavore’ restaurant in Dubai,” says Grégoire Berger, chef and founder of Kraken. When he first arrived in Dubai in 2013, local sourcing was limited and inconsistent. “Today, fishermen, farmers, and producers have raised their standards tremendously,” he says. 

The fish at Kraken is locally sourced.
Ostrich tartare and caviar on sourdough at Kraken.

Before opening the restaurant, Berger and his team spent six months exploring the bounty of the land and sea across the United Arab Emirates. “Prior to this exploration, we wouldn’t have considered using UAE-caught fish. We now realize that the problem wasn’t the quality of the product, but the way it was treated,” he explains. The menu at Kraken features hamour, kingfish, tuna, and clams sourced from the waters around the emirates and neighbouring Oman, as well as local honey, dates, desert herbs, and vegetables. The Kraken team have set an ambitious future target of sourcing 99 percent of ingredients locally. “These products carry identity and place,” Berger says. 

As a desert nation, Dubai has long, hot summer months that are not typically conducive to farming. This was once a land of seminomadic tribes who led harsh lives and made do with limited local resources—dates, camel milk, meat from grazing herds—and items that came by sea via traders.  

Fast-forward just a few decades and the discovery of oil catapulted the emirate into the future, laying the foundation for the dazzling, international metropolis that rises today like a mirage from the sands. Since the beginning of the millennium, Dubai’s urban, cultural, and culinary evolutions have taken place at breakneck pace. But the high-end dining scene was, until fairly recently, largely limited to outposts of big-name restaurants with ingredients flown in from around the world. It was a safe formula that provided consistent quality and predictability, but it wasn’t going to set any taste buds ablaze with innovation or creativity that spoke to a sense of place. For a time, it felt as if every dish in town was smothered in gold leaf and truffle oil, Instagrammable clouds of dry ice floated around everything from sushi to cocktails, and tuna tartare, burrata salad, and chocolate fondant were staples on practically every menu. It’s a recipe that still works for some restaurants appealing to an audience in search of the blingy Dubai lifestyle, but the past decade has seen a complete transformation. 

The birth of a homegrown, modern Dubai style of cooking has perhaps been the most exciting thing to emerge. This is cuisine that’s reflective of the people who have chosen to make Dubai home, whether they were born here, raised here, or arrived later in life. It combines influences of the emirate’s multiculturality with elements brought from the places of origin and the frequent travels of this particularly peripatetic community.  

Aubergine Royale with beurre blanc, caviar, and walnuts at Three Bros.

When Syrian chef Mohamad Orfali opened Orfali Bros Bistro in 2021 with his brothers Wassim and Omar, it felt as if the Dubai dining scene was shifting. “From the very beginning, we wanted to redefine what a Middle Eastern restaurant could be,” he says. “We wanted to take our roots and blend them with Dubai influences, breaking the stereotypes of traditional restaurants that belong to big chains or franchises. The goal was to create dishes that reflect our personal experiences, emotions, and memories, all while staying true to the essence of quality and craftsmanship.” That philosophy translated into dishes like spicy bulgur-wheat salad with Aleppo chili paste and shiso leaves, and Wagyu striploin with sour cherry, pine nuts, and cinnamon. 

It was a recipe for success—a restaurant that was relying not on novelties or food trends to draw the crowds but instead on creating cuisine that came from the heart. It earned the Orfali brothers a Michelin star and the top spot on the Middle East and North Africa’s 50 Best Restaurants list, as well as tables booked up far in advance. 

Since then, they have opened Three Bros, a more casual spot where lunch and dinner feature a succession of bold dishes like thinly sliced ōtoro with tuna garum, olive oil, and finger lime, and a tiny in size but huge in flavour chawanmushi (egg custard) with morel, shaved black truffle, and crunchy hazelnut. The nonalcoholic cocktails are works of art. The limetta olio is unmissable, an unctuous blend of fermented white grapes and olive oil, resulting in a drink that’s part martini, part sour, and entirely delicious. And the playful take on the PB&J sandwich—a perfectly formed triangle of sponge cake, peanut butter, and raspberry jelly that matches the restaurant’s ruby-red walls—makes for a fittingly fun finish in a restaurant that doesn’t take itself too seriously. 

It’s not just Dubai’s restaurants that are homegrown. Across the emirate, an increasing number of spots are placing a focus on ingredients that are raised and sourced locally. In recent years, a combination of shifting trends, pioneering agricultural technology, experimentation, exploration, and sheer hard work by a passionate community of food lovers has made huge changes to the United Arab Emirates’ scene. Innovations such as water-saving vertical farming and A.I.-powered controlled-environment agriculture are extending the growing season beyond the more temperate winter months. Small-scale farms are producing niche ingredients like microgreens, edible flowers, and lion’s mane mushrooms. 

Chef Mohamad Orfali
Dark chocolate Karaz cake with chocolate mousse and sour cherry at Orfali Bros. Bistro

At Four Seasons Resort Dubai at Jumeirah Beach, a lush seaside oasis filled with palm trees and flowering plants, the use of locally sourced produce is rising. For Marcel Finsterer, chef de cuisine at Asian-inspired seafood restaurant Sea Fu, procuring ingredients within the UAE can be challenging, but it’s a pursuit he embraces. “You can find high-end ingredients here, but it’s very seasonal and requires strong relationships with the producers,” he says. “Some products are excellent at certain times of the year and then disappear, and that’s something I actually enjoy working around. It keeps the cooking honest and creative.” Finsterer personally visits each farm he works with—like Pure Harvest Smart Farms, based in the desert in the emirate of Al Ain and known for its exceptional tomatoes, and Mary Anne’s Fresh Produce, a grower of microgreens, herbs, and edible flowers located on the outskirts of Dubai—multiple times a year to understand their challenges and build relationships with the people behind the products, creating connections that he says change how he cooks. Among his favourite local ingredients are fragrant strawberries, mushrooms with a remarkable depth of flavour, and fresh herbs. On the sweet side, Nicolas Lambert, senior executive pastry chef, also sources locally, including honey, dates, citrus, camel milk, and figs grown in the northern emirate of Ras Al Khaimah. “Quality is excellent but highly seasonal, which I see as a strength rather than a limitation,” he says. 

Local ingredients are also a priority at the intimate and stylish Four Seasons Hotel Dubai International Financial Centre (DIFC) in the heart of the city’s main business and entertainment district, including at Penrose Lounge’s Earth Afternoon Tea. “We work with Blossom Honey UAE for our golden honey and select seasonal vegetables from the local market,” says the hotel’s executive chef, Rami Nasser, who also sources microgreens, edible flowers, camel milk, and butter within the country. And in a city crowded with Japanese-​fusion concepts, the hotel’s new restaurant KIGO stands out for its authenticity, ranking among the best kaiseki meals I’ve ever had. While fish and seafood are flown in from Japan, locally grown carrots find their way onto the menu because they’re sweeter than imported varieties. They’re not just chopped or diced here, though. The KIGO culinary team carves them into exquisitely detailed shapes of gingko, maple leaves, and cranes, subtly referencing the changing seasons.  

At neighbouring Boca, a Michelin green-starred restaurant also in DIFC, founder and chief sustainability officer Omar Shihab is researching an ingredient that he hopes may become a game changer. He’s working with Emirates Nature-WWF and the International Center for Biosaline Agriculture to explore the benefits and potential uses of salt-loving salicornia, a native halophyte packed with umami and a crunchy texture that grows naturally along the country’s coasts. Shihab sees it having the potential to become the UAE’s superfood. Commercial cultivation has yet to be developed, although there are pilot farms in the northern emirate of Umm Al Quwain. “We’re demonstrating all the benefits halophytes present from an environmental, conservational, and nutritional standpoint, but also from an economic and entrepreneurial sense,” he says. In the restaurant, Boca’s executive chef Patricia Roig adds salicornia tips to a punchy local kingfish ceviche and to a rich risotto blended with seaweed. 

Nicolas Lambert, senior executive pastry chef at Four Seasons Resort Dubai at Jumeirah Beach

This willingness to work with new products and flavours isn’t new to Dubai. This has long been a cosmopolitan place thanks to its strategic position on ancient trade routes that connected Arabia, Persia, Africa, and Asia. Today, more than 200 nationalities reside here, each bringing its own culinary culture with it. 

At 12-seater restaurant Moonrise, perched atop Eden House in the Satwa neighbourhood, Dubai-born chef Solemann Haddad creates tasting menus that draw on food from his childhood in the city along with culinary influences from his French mother and Syrian father. He calls it Dubai Cuisine, embodying that easy cosmopolitan mix of cultures that are at home here and that blend with, borrow from, and inspire one another. 

Indian cuisine has long had an influence on the food of Dubai, too. This is a city where the most casual hole-in-the-wall cafeterias sit alongside high-end establishments, where you can dine well on cheap and cheerful chaat, dosas, and thalis in small cafés in the Karama neighbourhood or exceptionally well at the world’s only three-Michelin-starred Indian restaurant, Trèsind Studio, on the Palm Jumeirah, where chef Himanshu Saini takes diners on explorations of creative and complex dishes served without the slightest hint of pretension.  

But there’s one cuisine that hasn’t featured prominently in Dubai’s restaurants up to now, and Emirati chef Sahar Parham Al Awadhi believes it’s time to change that. “Emirati cuisine has been living within people’s homes for a very long time,” she says. “It’s time to take it outside of that setting and present it in a new way, elevate it, add in techniques and ingredients that didn’t grow here before, and really take it to the next level.” Al Awadhi recently created a menu of desserts and pastries for Gerbou, a new restaurant spotlighting contemporary Emirati cuisine opened in the leafy green Nad Al Sheba neighbourhood, featuring modernized versions of much-loved local desserts such as rengina, a sweet, sticky pudding made from pitted dates, and aseeda, a blend of pumpkin, ghee, and spices. And now she’s getting ready to open her own restaurant, Abra, named after the little wooden boats that have connected the two sides of Dubai Creek for decades. Located within the Etihad Museum on the site where the United Arab Emirates was founded as a nation in 1971, the restaurant will present what Al Awadhi is calling New Emirati Cuisine, with a focus on local sourcing. 

For Al Awadhi, locality doesn’t only mean Emirati-owned businesses: “It’s homegrown, no matter who it is, because there’s a huge community of artists, farmers, and producers who are contributing to growing in the UAE. For us, that’s what New Emirati Cuisine means.” Her menus will aim to use around 80 percent locally sourced ingredients, adapting to seasonality, including chicken, eggs, lamb, and clotted cream.  

She will also be enhancing much-loved Emirati dishes with newer ingredients that complement traditional flavours, like lemongrass. “Emirates Bio Farm [an organic farm located an hour by car outside Dubai] has been growing lemongrass for the last couple of years. It’s not an indigenous ingredient, but since it grows here now, it’s become part of our local agriculture.”  

Abra’s beverage menu is also firmly rooted in Emirati heritage, taking inspiration from the traditional apothecaries, called attar, in the souqs around Dubai Creek where dried herbs and spices are sold in colourful heaps. “If you’re sick, you go to the attar, explain your problem, and they mix things up for you to make a tea,” Al Awadhi explains. “We’re basing our beverage program on these holistic remedies.” 

It’s a novel approach based in antiquity, a way of bringing lesser-known local traditions to the fore in a city that, at least on the surface, seems to be all about the future. Perhaps Dubai is now at an inflection point where it continues marching forward but is carrying its traditions, both cultural and culinary, along with it. “I was born and raised in Dubai, and one of the things that makes it so special is that it never stops growing,” says Al Awadhi. “It feels like we’re experiencing the formation of a city. Being able to be part of that is really special.”  

Palm Beach Confidential: Landscape Architect Fernando Wong Shares His City’s Gems

When Fernando Wong arrived in Miami in 2000 from his native Panama, he had just $400 to his name and a dream of becoming a famous designer. Today, Wong stands among the most acclaimed landscape designers in the industry, with a client list that includes actor Matt Damon and golfer Greg Norman. The designer and his husband, Tim Johnson (CEO of Fernando Wong Outdoor Living Design), make their home in South Florida’s Palm Beach, a place Wong calls “one of the most beautiful places on the planet—with white powdery sand beaches and a culture worthy of a city 10 times the size.”

Wong is also the designer of all the outdoor spaces at three Four Seasons properties, including Four Seasons Resort Palm Beach, which he describes as “a lush oasis of calm and beauty.” We asked him about his favourite places to dine, shop, and unwind in town.

Wong in the garden he designed for a client in Palm Beach. Photograph by Carmel Brantley / Brantley Photo.

Café Flora: “It’s tucked into one of the prettiest courtyards off Worth Avenue. The bougainvillea arches overhead, and you feel like you’ve been transported to Italy. I order the spaghetti pomodoro and a glass of cold white wine—it’s simple but perfectly done.”

On the menu at Hive: fresh design and house-made pastries.

Hive Bakery & Café: “This is where I meet friends for lunch when I want something fresh but casual. Their tuna burger is my favourite, and the key lime pie is the best in town. I love that the café is surrounded by beautiful fabrics and furniture; it’s like eating inside a design studio.”

A must-visit for design buffs: Meg Braff Designs. Photograph by Carmel Brantley / Brantley Photo.

Meg Braff Designs: “Meg’s shop is pure joy—lacquered bamboo chairs in bright orange, tropical wallpapers, rattan everything. When I walk in, I immediately start reimagining a room. It’s playful but smart design.”

Maus & Hoffman: “[This] is where I go when I need a crisp linen shirt or a new blazer. There’s a sense of tradition when you step inside—polished wood shelves, staff who know your name. They’ve been dressing Palm Beach for decades, and I like being part of that continuity.”

Stubbs & Wootton’s flagship store in Palm Beach.

Stubbs & Wootton: “My first pair of Stubbs & Wootton [footwear] was French blue and white espadrilles. I wore them everywhere, from dinners at Ta-boo to cocktail parties. Now I have several pairs, and I love giving them as gifts. It’s a Palm Beach rite of passage.”

SurfSide Diner: “The definition of unfussy. The waitresses call you ‘honey,’ the pancakes are bigger than the plate, and locals read the Palm Beach Daily News at the counter every morning. It’s one of those rare places where billionaires and beachgoers sit side by side.”

The lush exterior of Sant Ambroeus.

Sant Ambroeus: “[It] gleams with marble counters and polished wood. I like to sit at the banquette with a cappuccino and watch the morning crowd drift in—socialites in tennis whites, art dealers, even the occasional celebrity.” 

Worth Avenue Historic Walking Tours: “I lived on Worth Avenue when I first moved to Palm Beach, so I have a soft spot for it. The tours show you little secrets, like the courtyards Addison Mizner designed with tiled fountains and wrought iron balconies. My favourite detail is that Mizner once kept monkeys in his tower. That mix of glamour and eccentricity sums up Palm Beach perfectly.” 

Beachfront dining at Seaway.

Seaway at Four Seasons Resort Palm Beach: “I always start with a mojito—it just feels right by the ocean. At sunset, the Atlantic glows pink, and it’s the perfect place to sit and feel the breez

Four Seasons Hotel Nashville Mimo

Mix It Up: Where to Go for a Taste of Kuala Lumpur’s Rich Culture

For seven consecutive years, the Art Deco–style Bar Trigona at Four Seasons Hotel Kuala Lumpur has earned recognition as one of Asia’s 50 Best Bars. Under the creative direction of head bartender Rohan Matmary, who also serves as the hotel’s beverage manager, the bar distinguishes itself not only for its unforgettable cocktails, but also for a deep commitment to local ingredients and sustainability. Through its Tree-Volution initiative, the property supports tree planting in Malaysia, including at Trigona Farm, which grows produce exclusively for Bar Trigona. 

Originally from Mumbai, India, Matmary brings both innovation and heart to his work, along with a love of Malaysia’s capital city. “Kuala Lumpur has a sense of community,” he says. “There is a unique joy and unity in the way people of different origins come together to celebrate the country’s rich heritage.” 

Below, he shares his favourite go-to spots in Kuala Lumpur.

Rohan Matmary, Kuala Lumpur
Matmary at Bar Trigona

Neighbour Club by JWC: “This is one of my favourite coffee spots. What sets them apart is the way they approach coffee with the kind of precision you would expect in a cocktail bar, yet they make it accessible to everyone. I also admire that they highlight locally sourced Malaysian coffee, which is still relatively rare to find in cafés across the city.” 

Bar Trigona
Bar Trigona at Four Seasons Hotel Kuala Lumpur

Bar Trigona: “One of the initiatives I am most proud of is Bar Trigona’s Single Origin section on the cocktail menu. Each drink in this series celebrates a single ingredient harvested at Trigona Farm, using every part of the plant. A recent standout is Banana, built entirely around the Pisang Mas tree. We vacuum cook the fruit with Tuak, a traditional Malaysian rice wine, to create a light yet complex serve that has quickly become a symbol of Bar Trigona’s new identity: cocktails that are conscious, creative, and deeply connected.” 

Penrose
The Penrose team

Penrose: “Among my favourite [bars] is Penrose, where the hospitality is consistently warm and the cocktails are crafted to an international standard.” (Matmary notes that he also enjoys Three x Co and Cabinet 8, “both of which bring a refined touch to mixology,” and “for a distinctly Malaysian perspective,” he says, “I often turn to Coley and Reka.”) 

Ruma“I find inspiration in Ruma, a Malaysian brand that draws on Scandinavian minimalism. Their designs are simple yet sophisticated.” 

Batu Caves
The 140-foot-tall Murugan statue at Batu Caves. Photograph by Ravin Rau / Unsplash.

Batu Caves: “I enjoy starting my mornings here. Arriving early, when the air is cool and filled with the aroma of morning dew and temple rituals, creates a serene atmosphere. The 272-step climb feels both invigorating and rewarding, offering a perspective of the city that is hard to match.” 

Chinatown, Kuala Lumpur
Thean Hou Temple in Chinatown

Chinatown: “One of my favourite experiences [offered by Four Seasons Hotel Kuala Lumpur] is Evenings in Chinatown, which brings together the energy of a hip neighbourhood with the rich food-and-beverage culture that makes Kuala Lumpur so unique.” 

Dewakan
A signature snack (with chayote paste and wild mango) inspired by Rajah Brooke’s Birdwing, the national butterfly of Malaysia, at Dewakan

Dewakan: “This is [among] my most recommended dining experiences in Kuala Lumpur. The tasting menus celebrate local harvests with creativity and finesse, using indigenous ingredients in thoughtful, seasonal expressions. The setting on the 48th floor, with sweeping city views, makes it an experience that feels both rooted in Malaysia and elevated to a global stage.” 

Nadodi: “The restaurant resonates with me on a cultural level, as it reimagines the flavours of South India in an avant-garde style. It delivers refined, region-inspired curations that feel both personal and innovative. Overlooking the [Petronas] Twin Towers, it creates an intimate setting that beautifully balances heritage with modernity.”  

Kuala Lumpur FS
Kuala Lumpur FS